100 Strangers 8 of 100 Carl

100 Strangers 8 of 100 is Carl:

8 of 100 Carl
ISO 200, 85mm, f1.8, 1/160

Previously I posted a Stranger photo of Mariah who works at a local coffee shop that I frequent fairly often. During that encounter she spoke highly of the owners of the coffee shop; the husband and wife who own it. She said that they were “the best.”

Meet Carl, the owner of this coffee shop. Though I’ve spoken with him briefly in the past as he rung up my order I’ve never been able to really sit and talk with him; to get to know him a little bit. Today my son and I sat drinking our lattes and having lunch and Carl walked up to our table and asked how we were doing. At this we began to talk and it turned into a nearly hour long conversation.

Carl is an Army vet who has since retired from service. He spent years in service (exactly how long I didn’t ask). He loves coffee and just over a year ago he and his wife opened up this shop. He’s very active in veterans affairs and he has a program in which he delivers coffee to our troops overseas.

We spoke a bit about politics and the role of our armed forces over the past few years. “We really need to just pull out of the Middle East altogether,” he said. “I mean, what exactly are we doing over there?”
He spoke about the action he saw in Iraq during Gulf War version 1.0 a bit among many other things.

The thing that I took away from our conversation is that Carl is passionate about his family, community and country. Being the son of immigrants I think has shaped much of his perspective regarding life in the USA. My wife is an immigrant and I think that as my son participated in the conversation he was aware of that similarity. In fact as we were driving home my son said as much.

When we were wrapping up the conversation, I asked Carl if he would mind if I took a photo of him. Though I didn’t explain the Stranger Project in detail I told him that I loved taking photos of people that I meet and get to know and post them on social media and tell a little about them.

We happened to be in front of a large window that was letting in absolutely amazing light. I asked him to simply stand positioned at just a slight angle to the window and I moved in such a way as to not have other people in the background.

Technical stuff: Because the light was so amazing I didn’t have to really do much as far as post production is concerned. The big thing was that SOOC, Carl’s eyes were way stark and vivid. I actually brought them down a bit because they were just too much. That’s a first; actually pulling back the eyes a bit.

Also, the more that I use the 85mm and get used to it, the more I love that lens. I took a total of 12 shots and didn’t give him any direction beyond having him turn to the window a bit.

Thanks, Carl for allowing me to take your photo. I’m certain we will see each other again as my family drinks our lattes now that we’ve become so acquainted. I’m looking forward to it.

100 Strangers 7 of 100 NutnFancy

AKA Richard.

ISO 100, 50mm, f2.0, 1/320

Richard’s public moniker is Nutnfancy. He has a YouTube channel called The Nutnfancy Project which he’s been running for years. The channel is a gear review channel in which he reviews various things from backpacks to watches, knives, camping gear and firearms. He’s amassed nearly 750,000 subscribers.

I met him at some protests/counter protests at the State Capitol several days ago. Richard was on the counter protest side of the issue. When I saw him addressing the crowd with his bullhorn I knew that I wanted to ask him for a Stranger photo.

When I went to approach him he was filming the crowd with his camera and I waited for him to take a break then approached him. I held out my hand, introduced myself and told him about what I was wanting to do. He was pretty cautious at first.

“Are you with the media?”

“No,” I said. “I’m just a guy taking pics.”

He still wasn’t quite convinced. “What’s your political stance?” He asked. “Are you pro 2A?”

To the average person it may sound odd that he’s so cautious, but when you’re a somewhat public face like he is I think it’s understandable.

After a few moments I convinced him that I didn’t have an ax to grind and he lightened up a lot. In fact he became very friendly and agreed to let me take some photos.

Again, like the previous photos I took at this event, the background was a real challenge. He understood it, too, as I asked him to move a bit to position him. I finally positioned him so that we were parallel to a wall which seemed to be about as good as it was going to get under the circumstances.

I snapped a few frames; some close up head and shoulders and some further away. I liked this one the best because it encompassed some of the environment and crowd but wasn’t overpowered by it.

After I finished taking the pics we talked for a few short minutes about various things; history, government; high level things like that. I wanted to ask him so much more, but I knew that he was there with his camera, too, and wanted to get back to his work.

Technical stuff: ISO 100, 50mm, f2.0, 1/320.

I knew that his hat was going to be a problem with darkness over his eyes so I exposed as far to the right as possible without the building in the background blowing out (ETTR when shooting raw is your friend in these kinds of circumstances) and then pulled it down just over a stop in post (-1.2 in Lightroom). I took a number of photos with various degrees of ETTR and this one was just perfect. SOOC, it was pretty bright, but I was still able to maintain the details.

Before going out to shoot pics at this event I made the conscious decision to go with my 50mm. Up until I took this pic I was really regretting it as most of the pics I had taken up to this point had been head and shoulders/close up shots. The 50mm is not really a good focal length for that kind of portrait shooting because of the perspective distortion that always has to be contended with at short distances. However, for this shot, the 50mm was near perfect. We were both standing on a ledge and I backed up as far as I could for this frame. If I were using the 85 I wouldn’t have been able to get this half body shot showing his bullhorn.

100 Strangers 6 of 100 The Mighty Beard

ISO 100, 50mm, f3.5, 1/500 

In case you haven’t been able to tell based on my last few uploads, I took a number of Stranger Portraits at some political demonstrations this past week.

I followed this particular march to the State Capitol and I ran ahead to the plaza in front to be able to catch them as they came up the stairs. As the crowd funneled in I came across this guy. I was struck by his impeccable grooming (I mean, look at how tidy this guy’s hair is) and, of course, his mighty beard. I’ve been wanting to photograph someone with an impressive beard. In fact I’ve photographed a number of beards, but none of them really seemed to do it for me. Until this guy.

I approached him and introduced myself and held out my hand. He shook it and told me his name, but I don’t remember it. Generally I always carry a backpack that contains a notepad and pen, but on this occasion I didn’t have it on me. This is probably the first time in a year or longer that I didn’t have it on me. It won’t happen again.

I explained the Stranger Project and he happily agreed to be photographed. After I took a couple of shots I spoke with him a bit about why he was demonstrating. I’m hesitant to get into it because of the political nature and my reticence to touch upon it here in this forum. Lets just say that he is a firm believer in his cause. I asked him if he was from Utah and he answered that he was from California. I wanted to ask him what brought him here, but he indicated that he needed to get back to his friends.

Before he left I showed him one of the pics on the back of the camera and his response was, “Wow.”

Technical stuff: ISO 100, 50mm, f3.5, 1/500 second.

I seriously thought about editing the reflections out of his glasses; I’m clearly visible taking the photo, but decided against it because the view in the reflection is interesting; the view of the city in the valley below, the other people coming up the stairs, the crowd behind me. I think it really adds to the atmosphere of the photo itself.

Best Way To Save Photos For Facebook

What’s the best way to save photos for Facebook? For years I’ve always simply uploaded JPG images. I would do my edits in Photoshop, resize to 2048 on the long side, flatten the image, convert to sRGB, do any sharpening if needed and then save as JPG making sure to embed the color profile. It works OK, but the images really take a beating after Facebook gets done doing whatever they do with them.

After doing a little bit of reading around and experimenting I’ve found out the best method for preparing photos for Facebook. Presuming of course that you’re uploading them using the High Quality option.

Here’s what I do using Photoshop: First, after you’ve finished all of your post production edits, flatten the file; Layer > Flatten Image. Next, convert it to the correct profile for the web. In this case sRGB IEC61966-2.1; Edit > Convert to Profile. In the Advanced box that pops up, in the Destination area select RGB and in the drop-down make sure to select sRGB IEC61966-2.1. In the Conversion Options I’ve selected Relative Colormetric and left everything else as is. Then click OK. Once you’ve done this you won’t have to make the changes next time. You’ll just click Convert to Profile and then click OK.

Now do any sharpening you want to do if you do any at all. Once you’ve done that then click on File > Export > Export As. If needed change the Format to PNG under File Settings. Make sure that Transparency is checked. Change the width to 2048 and let height do whatever it’s going to do.

NOTE: I’m talking about images that are landscape oriented. I believe that for portrait oriented images you should set the width for 960.

Now, and I think this is important, in the Resample drop-down change it to Preserve Details. Leave Canvass Size alone. If you have copyright and contact info embedded in your metadata, go ahead and select that option. In Convert Color Space make sure that sRGB is selected. For Embed Color Profile, I always check that. Technically, newer browsers are going to treat any image that doesn’t contain an embedded color profile as sRGB IEC61966-2.1. That’s what they’re supposed to do. But I know that some browsers have had a problem with doing this. It’s generally not a huge deal unless the person viewing your image is doing so on a wide gamut monitor. Even then it may be unlikely that they will have a problem and someone using a wide gamut monitor is pretty likely to have taken measures to deal with browser weirdness. Either way, why not just check it and not worry about it.

Now just click Export All and save it to where ever you want to save it. That’s it. You’re done.

I know that some of you use different editing software than Photoshop, or perhaps you simply use Lightroom only. I’m not sure how you would replicate the above with anything else other than Photoshop so you may need to look into that.

Files treated like this will be noticeably better on Facebook than going the JPG route. For me, it’s the best way to save photos for Facebook.

The Hat

The Hat, or rather, this hat isn’t really a hat. It’s a prop. A prop to be used in various photos.

Last summer my wife and I were perusing the Central California coast taking in some sun, surf and the occasional winery for some tasting. We stopped at a gas n go in Cambria and I cam across this hat among all the other stuff you find in such places. We both looked at the hat and simultaneously expressed how we absolutely needed to buy it. Not to actually wear, mind you. But as a photo prop. So I coughed up the $10.99 for the hat and away we went. As you can see, The Hat is truly awesome in the kitschy way that is unique to road side gas n go’s throughout various slices of Americana.

ISO 100, 50mm, f9.0, 1/200

The photo above was done using a Yongnuo YN560-III Speedlite with an ExpoImaging Rogue 3-in-1 Flash Grid camera right. Yeah, yeah it’s a hat; The Hat, but I really dig this hat. I like the photo too. The Rogue Grid is one of those modifiers that aren’t really very versatile, but it’s way cool when you want that look; that hard light, heavy contrast look.

Anyway, after we bought The Hat we continued south with the hopes of finding some seaside location in which to shoot some pics with our newly acquired prop. We finally found a place just north of Cayucos. It required a short hike through a grassy area down to a small rocky beach. I took one of the Yongnuos and a stand with me. The mid-day, bright harsh sun–which a lot of photographers hate–was perfect for what I had in mind. Trust me, don’t be afraid of harsh mid-day sun.

As it turned out I couldn’t use my stand because of how windy it was, plus our location had some serious surf rolling in. So I had my son hold the light. I also used a 3 stop ND filter. Even then I still closed down the lens to f10 in order to push the background down to what I was wanting to do. My wife, being the trouper she is held on to The Hat and stood in the water and dealt with the stiff wind. Did I mention that the wind was pretty cold?

Yeah, there’s that.

We fired off a bunch of different shots; enough to where I had to let the little Yongnuo cool down for a bit. At first I was trying to get some full body shots, but the bare speedlight just wasn’t the right tool for that job, so I opted to get in close and use the light to fill in the shadows under the hat yet still retain the heavily contrasty hard light.

This is my favorite shot of the bunch:

ISO 100, 50mm, f10, 1/200

This shot is almost exactly what I was trying for.

Of course I also took some shots without the hat during the same session. With this one I took some post processing funkiness liberties:

ISO 100, 50mm, f10, 1/200

I was trying to catch a shot with some flying birds in the background and had my son running around with the light while I was positioning myself. If I remember correctly my wife wasn’t really in take a photo mode. She was just hanging out. The lighting is definitely wacky, but I like it OK. More importantly, I got my flying birds.

We’ve since employed The Hat in other shoots. This shot is in Idaho at a place called Crystal Mountain just outside of McCall. It’s much along the lines of the seaside hat pic above. This, too, was using the little speedlight camera right, but through a shoot through umbrella:

 

ISO 100, 50mm, f2.5, 1/200

This one was shot with the D750 and I used a 3 stop ND filter so that I could open up to f2.5 for background separation. I particularly like this shot.

After this pic we headed down the mountain and ended up on the Salmon River. This one I did not use the ND filter. The canyon was socked in with smoke cutting a lot of the sun out. I did use the speedlight, though. Again it was shot through a white umbrella:

ISO 100, 50mm, f4.0, 1/200

I think that The Hat works great here with the rustic nature of the surroundings.

This last pic is another hard light pic, shooting into a sunset. You guessed it, I used the speedlight again, but this time it was bare thus the hard light and contrasts:

ISO 100, 50mm, f3.2, 1/100

I really like this shot. A lot of people wouldn’t, but I do this for myself. It looks like a country singer’s album. I will say that in hindsight I think that using a shoot through umbrella would have been better.

Side note, this pic was taken near the Snake River and it was a muggy buggy bastard. Mosquitos were so thick that I thought we would be carried away by the hungry little monsters. Trying to catch a shot between swatting them was a challenge.

Anyway, from the Central California coast to the Idaho wilderness to my basement studio, The Hat served me well last summer. This upcoming summer we have some more road trips on the docket and I have big plans for The Hat.

100 Strangers 5 of 100 Ambyr

100 Strangers 5 of 100 is Ambyr. She’s an avid pro Second Amendment advocate. She was with an organization that was counter protesting the anti-gun marches.

ISO 200, 50mm, f3.5, 1/250

I spotted her while she was busily organizing people for their march; talking with other organizers, overseeing the distribution of signs and shirts, and going over maps of the intended route which would lead to the State Capitol where both sides of the issue would gather.

I was a bit hesitant to approach her because she looked so busy. I could hardly imagine getting her to stand still for even a moment, but nothing ventured, nothing gained. With my card in hand I walked up to her and handed it to her and simply asked is I could take her photo and explained why. She smiled and said, “Sure, but it’s gotta be quick.”

The environment was completely chaotic and a little crazy with hundreds of people milling about. My choices for a background were pretty limited so I asked her to stand in front of a large truck that the organization she represented owned. Definitely not the best, but I think it was probably the best that the situation offered.

I took a few pics and asked her just a few questions; name etc.

After just a few moments I could see her eyes shifting around; she really wanted to get back to work, but she didn’t want to be rude. That was my impression. I thanked her with a handshake and she smiled and went back to work.

Technical stuff: ISO 200, 50mm, f3.5, 1/250 shutter speed, Nikon D750.

Like I said, for me, this was a really difficult situation and it really exemplified just why the 100 Strangers is such a good exercise for photographers. Though I’m mostly happy with how this turned out I definitely regretted not having my 85mm lens. I needed to get in close because of all that was going on and there is some perspective distortion. Another thing that I would like to mention is that it’s pretty obvious that Ambyr has experience in front of a camera. I would be willing to be good money on that. She absolutely knew how to engage the lens and she fell right in when I gave her some subtle direction; breath out of your mouth, please. Can you move your shoulder this way? Awesome. Now, can you push your face towards me just a bit? Bam. What normally would have taken several moments to explain she just jumped on and did it exactly how I needed it. Yeah, she has definitely done some modeling.

100 Strangers

Over the years I’ve taken a lot of photos of strangers, but never anything like what is done in the 100 Strangers Project. In a nutshell, the idea behind 100 Strangers is to photograph 100 strangers. But it’s not as boring or as easy as it sounds. Like I said, I’ve taken quite a few photos of strangers but they consisted of mostly one-off types of shots in which I ask someone if I can take their pic, they say yes, and I pop off a few shots. I’ll mix these types of shots in with your run of the mill street photos because, as I’ve stated before, they result in different types of shots.

But with 100 Strangers it’s a bit of a different approach. The idea is to always get their permission, tell them that the photo is for a photo project called 100 Strangers and tell them what it’s about and then take the time and skill to take an actual, honest to God portrait. The hope is to better develop both technical and social skills. The social skills come in by the fact that you’re also required to get to know a little about each subject and then write about them when posting the photo.

I’ve only done one photo as of yet, and I can already tell that this project is going to greatly improve my skills; you start thinking about things like background and, of course, lighting along with composition; all while thinking on your feet and doing it rather quickly. I’m fairly adept at using flash, but based on what I’ve found on the 100 Strangers Flickr group I’m thinking that a reflector is probably going to be my go to lighting source. I purchased a Lastolite 30″ Sunfire/White reflector which I think will work out pretty good. It folds up quite small and will be easier to tote around than a speed light, stand and modifier.

Perusing through the 100 Strangers Flickr page you’ll see some pretty amazing work. Sure, there are some not so amazing photos, but man, there are a huge number of really great portraits.

Just recently I submitted my first Stranger, Pete:

Pete: 1 of 100 Strangers – ISO 100, 105mm, f4.0, 1/160 sec

I think it’s a good start. I didn’t use a reflector or any modifiers. The background was a bit of a challenge so I had to work around that a bit. I shot ETTR to give myself quite a bit of post production latitude. Still, the particular lens I used wasn’t ideal; Nikon 24-120 f4.0. For dedicated stranger shooting I’ll stick with my 50mm 1.8 as much as possible. But I am really wanting an 85mm prime as I think that would be just about ideal.

Anyway, I think this project is going to be fun and I’m really looking forward to continuing.

Staged Portrait Photography

Staged portrait photography is something that seems to cause a lot of confusion. What exactly is staged portrait photography? I suppose in reality any portrait is going to be staged in the technical sense. Someone gazing directly into the camera at the direction of the photographer is, I suppose, being staged.

But when I talk about staged portrait photography I’m talking about something a little more than simple direction for posture or gaze. I’m talking about either integrating some sort of prop and/or directing something to look like a single moment captured from a larger event even though the event being represented is not actually taking place.

I’m not necessarily talking about something as elaborate as Ryan Schude’s amazing Tableaux Vivants which are basically photos containing several portraits and stories sliced from a larger chunk of life and frozen at the moment. His amazing photos can contain a cast of dozens in a single location and tell several different stories in a single frame. His work displays a complexity way beyond anything that I would even think about attempting. Though not portraiture in the classic sense, they are portraits all the same.

What I’m talking about is pretty basic stuff that can add interest. For example, this shot:

Krav Maga fighting
ISO 800, 35mm, f5.6, 1/160 sec.

During a Krav Maga class in a public park I asked a couple of the instructors to ham it up a bit with something I had in mind. During the whole time, it was raining off and on with dark clouds rolling in and out. I thought that this would be a perfect time to do something to really accent the ominous clouds punctuated by the clear sky in the distance. Where we were standing was nearly dark as night, yet the the background was bright.

I had someone hold a single speed light camera left and asked these guys to pose for a shot; think kitschy surrealism. I was thinking it would be cool to try to make it look not quite real; maybe like something done in a studio or movie set so I popped off a few shots and liked this one the best. It really does look like something done on a set with a big background hanging on a wall.

No, it’s not overly elaborate by any means but it’s definitely staged, hence staged portrait photography.

Another staged photo. Again, I’m not talking way elaborate stuff here:

Shoot house training
ISO 100, 44mm, f4.0, 1/160 sec

I wanted this to replicate shoot house training. A little bit of a challenge since I was doing this in my little basement with tiled floors, white walls and a low ceiling. I leaned a 4 foot x 7 foot piece of faux brick wall paneling against the wall as a backdrop, hung a shemagh scarf from a C-stand with a couple of clamps and put a speed light behind it with some yellow gel. Camera left, I placed another speed light pointing at the wall for some bounce light to fill in the shadows a bit.

I then handed my wife my cleared and safety checked Sig P320 and we went to work.

Again, though not overly elaborate, this is definitely a staged portrait.

I suppose that I would go so far as to say that any photograph that has any input from the photographer regarding placement, behavior or posing of a subject is staged.

 

 

Travel Photography VS Photography While Traveling

Travel Photography vs Photography While Traveling. What is it that you do? Well, for me, it’s photography while traveling. I’m no “travel photographer.” I’m just a guy that likes to take photos and I especially love to do it while traveling with my family. I’m not talking about pulling out my phone and snapping off shots nearly indiscriminately. I like to put a little thought into it. I don’t mean creating some elaborate plan and setup, but just a little thought.

Travel photography is a discipline in and of itself and good travel photographers are an amazing lot; talented, observant and dedicated.

But you don’t have to adopt the approach of a dedicated travel photographer to make images while traveling that are taken to the next level beyond snapping pics of the family, Mt. Rushmore or whatever. Just put a little thought into it and, preferably, get those with whom you are traveling to get on board; especially if it’s family, and you can make pics that are a bit beyond “snapshots.”

In August of this summer we traveled to central Idaho where I was born and raised. We love going there to visit family and to take in the amazing scenery. One day we took one of our favorite drives going through the rugged wild country of the Salmon River. We drove through McCall, over the mountains and down onto the main Salmon River and finally to a little town called Riggins. Amazing, wild country. After driving over the mountains and landing on the river we wanted to find a spot on the river to soak our feet, eat a picnic and just hang out. Of course, me always traveling with a rudimentary lighting setup: a couple of speed lights, stand and umbrella, I set up a bare speed light on a stand got my wife to hold still for a bit.

Anna On The River: ISO 100, 50mm, f2.8, 1/200 sec

I threw on a 3 stop neutral density filter so I could stop up to get some blurry background, popped off the flash to fill in the shadows a bit and got this. I love this shot because it really captures the whole day, the wild country and, well my wife. There’s always that.

A couple of weeks earlier we were in driving around on the central California coast; perusing the Pacific Coast Highway. We visited a wine tasting establishment in Cambria, California and met some amazing people and had a great visit. Think about it, driving around, hitting the wine tasting joints, meeting new and amazing people.

Because I almost always have my camera with me, I got this shot:

Wine People: ISO 800, 50mm, f1.8, 1/160 sec

No, this isn’t some awesome composition. It’s noisy and not technically perfect. So what. It tells a story and captures a really great memory for me. I like it because it shows my wife and son having a great time. But for someone looking at who wasn’t even there, it still shows story which takes it to a level beyond a snap shot.

This photo, from the same trip is from the Sand Dunes near Pismo Beach, California.

Travel Photography VS Photography While Traveling Beautiful woman standing in sand dunes
Dunes: ISO 640, 50mm, f3.5, 1/2500 sec

Again, this isn’t technically perfect as I forgot to check my camera and needlessly shot it at ISO 640. But I definitely feel that this is a far better shot than just taking pics of this awesome place. Keep in mind that I’m talking travel/vacation pics. A good landscape photographer would have a hay day at this place. But for family travel, this is the kind of shot I’m talking about. I just asked my wife to “stand there, look there,” snap a pic and call it good.

The point in all of this is that just the most minimal of effort and forethought can, I think, lead to travel/vacation photos that are a bit above and beyond.

Little Sahara And Family Time

This past weekend my wife and I took a drive out to the Little Sahara Recreation Area here in Utah. The purpose really was to scout out some locations for future photo shoots. We’d never been out there and I had been meaning to check it out for some time.

Man, what an amazing place for photography. Whether you’re looking for landscapes or portrait shots, it really is an amazing place.

Little Sahara is a Utah hot spot for dune buggies, motor bikes and other off road vehicles, so there are generally a lot of people flying around. However they have designated several hundred acres of area in which it’s foot traffic only. That’s where we stuck to.

My photo ventures are by and large excuses to get out and about as a family. I rope my wife into posing for pics and I rope my son into being my assistant. Either way we end up spending much of the day in various locations.

Above is a pic of “the crew.” Well, to be fair, it’s really my son and wife. But the point is that we get out, hang out, bond as a family, etc., and the whole time the “purpose” is to take pics. That’s the great part because taking pics really isn’t the purpose at all. It’s simply a pretext to getting out. That being said, my wife and son will tell you that I’m pretty adamant about having everything I need to take a ton of pics. Generally my son holds lights, moves lights or whatever I need him to do. On this day, however, he was simply the goat as exemplified by the backpack full of crap.

We wandered around a bit exploring and you can see why it’s called Little Sahara. It’s literally thousands of acres of sand dunes punctuated by some brush and juniper trees, but largely just a barren landscape. We only had to walk about 50 yards from the road we were parked to be in almost complete isolation. It was a bit chilly since it is November so we decided to get down to business and get the photo thing over with pretty quick. One thing to keep in mind if you make the trip is that it’s sandy. I mean REAL sandy. It’s windy so it’s blowing sand around a lot hence the dunes. I can’t say this strongly enough.

It’s SANDY. I’m still finding sand in places that I never even thought were exposed. Keep that in mind with regards to your camera gear.

Anyway, we fired off a few shots and this is the keeper that I’m happy with:

Little Sahara, Utah
Sahara: ISO 100, 50mm, f2.8, 1/2000 sec

Though I’m pretty happy with this pic, in hindsight I wish I’d shot this with a smaller aperture to make the background sharp. The blur is OK, but it should either be sharp or a lot more blurry. I even thought about doing it in post production. I still might.

We were in a bit of a hurry because it was too cold for summer attire, so we wrapped it up pretty quickly.

Anyway, for those of you in Utah, Little Sahara is an amazing place for photography. I highly recommend making the trip.